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Putting history to the question : power, politics, and society in English Renaissance drama  Cover Image Book Book

Putting history to the question : power, politics, and society in English Renaissance drama

Neill, Michael. (Author).

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  • 1 of 1 copy available at Vancouver Community College.

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Location Call Number / Copy Notes Barcode Shelving Location Circulation Modifier Holdable? Status Due Date Courses
Broadway Library PR 658 P65 N45 2000 (Text) 33109009978800 Stacks Volume hold Available -

List of Illustrations
ix
Acknowledgments xi
A Note on Texts xiii
Introduction 1(12)
Part 1 The Stage and Social Order
Servant Obedience and Master Sins: Shakespeare and the Bonds of Service
13(36)
``This Gentle Gentleman'': Social Change and the Language of Status in Arden of Faversham
49(24)
Massinger's Patriarchy: The Social Vision of A New Way to Pay Old Debts
73(26)
``The Tongues of Angels'': Charity and the Social Order in The City Madam
99(28)
``In Everything Illegitimate'': Imagining the Bastard in English Renaissance Drama
127(22)
Bastardy, Counterfeiting, and Misogyny in The Revenger's Tragedy
149(18)
``Amphitheaters in the Body'': Playing with Hands on the Shakespearean Stage
167(40)
Part 2 Race, Nation, Empire
Changing Places in Othello
207(30)
``Unproper Beds'': Race, Adultery, and the Hideous in Othello
237(32)
``Mulattos,'' ``Blacks,'' and ``Indian Moors'': Othello and Early Modern Constructions of Human Difference
269(16)
Putting History to the Question: An Episode of Torture at Bantam in Java, 1604
285(26)
``Material Flames'': Romance, Empire, and Mercantile Fantasy in John Fletcher's Island Princess
311(28)
Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare's Histories
339(34)
``The Exact Map or Discovery of Human Affairs'': Shakespeare and the Plotting of History
373(26)
The World Beyond: Shakespeare and the Tropes of Translation
399(20)
Notes 419(90)
Index 509

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