| Formatted Contents Note: |
The tradition of music theory. 'Naturalis Concordia vocum cum planetis' : conceptualizing the Harmony of the spheres in the early middle ages / Susan Rankin, University of Cambridge ; 'Auctoritas cereum habet nasum' : Boethius, Aristotle, and the Music of the spheres in the thirteenth and early fourteenth centuries / Gilles Rico, University of Oxford ; Types and transmission of musical examples in Franco's Ars cantus mensurabilis musicae / Christian Thomas Leitmeir, Warburg Institute ; Ciconia's citations in Nova musica : new sources as biography / Barbara Haggh, University of Maryland -- Vitry and Machaut. Fauvel goes to school / Leofranc Holford-Strevens, Oxford University Press ; Auctoritas and the motets of Philippe de Vitry ; Andrew Wathey, Royal Holloway University of London ; Fire, desire, duration, death : Machaut's motet 10 / Kevin Brownlee, University of Pennsylvania ; Machaut reading Machaut : self-borrowing and reinterpretation in motets 8 and 21 / Alice V. Clark, Loyola University New Orleans ; Declamatory dissonance in Machaut / Lawrence M. Earp, University of Wisconsin at Madison ; 'Qui bien aimme a tart oublie' : Guillaume de Machaut's Lay de plour in context / Virginia Newes -- Influence, models, and intertextuality. 'Imitatio', 'intertextuality', and early music / John Milsom ; Apollinis eclipsatur : foundation of the Collegium musicorum / David Howlett, Bodleian Library, Oxford ; De plus en plus : numbers, Binchois and Ockeghem / Reinhard Strohm, University of Oxford ; An English adoption of the Burgundian chanson / Theodor Dumitrescu, University of Oxford ; Learning to compose in the 1540s : Gioseffo Zarlino's si bona suscepimus / Cristle Collins Judd, University of Pennsylvania ; The eloquence of silence : tacet inscriptions in the Alamire manuscripts / Bonnie J. Blackburn, University of Oxford. |
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